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Short Sentences.
The philosopher Pascal once apologized
for writing a long letter; if he'd had more time, he said, he'd have
written a shorter one. Mark Twain said he didn't write Metropolis
because he earned the same amount for writing City.
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Short Paragraphs.
One idea, one paragraph.
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Active Voice.
Not "the dog was walked by the
girl."
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Necessary Words
Only.
"Advance planning" equals
"planning." Put the news in the document's first paragraph.
Don't overload the reader with adjectives and adverbs. When it's done,
cut it 10%.
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Simple Words,
Action Verbs, Concrete Nouns.
"It behooves the writer to avoid
archaic expressions" may be a true statement, but it's a weak
sentence. Use the S-V-O (subject-verb-object) as the basis of any
sentence. When jargon tempts you, remember that your audience doesn't
have the same vocabulary that you do.
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Consistent
Tenses.
When you change tenses, have a reason.
Don't be afraid of the present tense.
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Avoid Clichés
Like the Plague.
Enough said.
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Parallelism
Creates Power.
Organize thoughts in parallel and use
parallel construction to state them: "Our company locates oil
deposits, refines petroleum products, and sells gasoline."
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Show, Don't
Tell.
Follow a generalization with an example.
When explaining a complex process, use everyday analogies.
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Anecdotes and
Quotations.
Use plenty. Don't be afraid to use
them.
And remember:
- A truly good writer generally is
always careful to practically eliminate the too-frequent use of useful
adverbs and pertinent adjectives.
- Do not use a foreign term when there is an adequate English quid
pro quo.
- Mixed
metaphors are a pain in the neck and ought to be thrown out the window.